Being an ardent lover of poetry, being more precise romantic poetry, I have always been fascinated by the feelings I have for the world of the poet. Romantic poetry, pictorial quality, imagery, mysticism, absorption in the beauty and life of nature, classical features and, above all, the celebration of beauty and aesthetics – have many attractive features. and sophisticated readers of all time. And it is amazing that this pictorial quality, the sensual enjoyment of nature, the artistic beauty and the richness of the images spread by the romantic poets somehow continue to inspire us after so many years!
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When we come to think of romantic poets, the name John Keats is one of the best flowers of the Romantic Movement. English poetry is in love with one of the greatest words. His verses tend to have subtle images and a mixture of different feelings over and over again, creating musical effects in which the artist was conscious.
Keats’ time and Keats’s literary influence:
The Romantic era, according to history, was a time when almost the whole of Europe was strongly shaken by the ideas and ideologies of the French Revolution. The important poets of the time were greatly inspired by the personal and political freedom of the revolution in the eighteenth century. Breaking the bonds of 21st century artistic conventions. These ideas and ideals at the time sparked “Wordsworth, Coleridge’s young passion,” “sparked Scott’s anger,” and “worked like Byron’s yeast” … However, Keats differs from his contemporary and literary poets. was the excitement that the image gathered around the revolution and the incidents were not directly represented in his poetry.
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As such, it is worth mentioning that parts of ‘Hyperion’, ‘Fallen Hyperion’ and ‘Endymion’ prove that Keats has been affected by political problems, but it is certainly not as significant as the works. Wordsworth, Coleridge or Shelley. His poetry, on the other hand, was the embodiment of his vision of beauty, in nature, among other things, in human acts of chivalry and in the fascinating tales of ancient Greece. This was the deepest and innermost experience of Keats’s soul, which he expressed in a simple way in his “Ode to the Greek Birch”:
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“Beauty is Truth, Beauty is Beautiful,” which is what you know and need to know on earth. ”
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Following his poetic growth, researchers know that he was educated almost exclusively by English poets. Early in his career, the influence of Edmund Spenser, especially his ‘Faerie Queene’, was instrumental in igniting his imaginative genius; The love of sensory beauty, the luxury of fantasy, and the answer to the charm of the natural feature of Spenser’s poems were to be recounted in Keats’s poems. In the following years, critics mentioned the influence of Shakespeare, Milton, and even Wordsworth in his poems. The advent of words in Shakespeare, on the other hand, alluded to an expression in the 1817 volume of his book ‘Endymion’, which was also greatly influenced by the spirits and dictionaries of the old English poets, especially those of the Renaissance. Having said that, it’s worth noting that Milton’s “Lost Paradise” has a very impressive impact on his “Hyperion”. At the same time, the researcher has also been the subject of poetry research.
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Today’s critics say that what distinguishes Keats’s poetry from all romantic poets is that his poetic genius fell under romanticism and matured in the sun of classicism. The true classicism of his ancient Greece, which shows the classical Basque language, is very present in his poems. What’s more, it blends harmoniously with the romantic scent of his poetry, which achieves a wonderful fusion of romantic impulse and classical seriousness. This statement holds a lot of truth when we consider his more mature Odes, because Keats notices our sense of form, purity, and ordinance. His Odes have the spontaneity and freedom of imagination that characterize the poetry of the Romantic era. For example, in the book ‘Ode to a Nightingale’, when the poet describes the song of the bird as the voice of eternity and expresses an intense longing to die in the hope of joining eternity, there is this romantic suggestion of the poet’s sensual enjoyment. these lines:
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“It has the same thing that happens in those times / The magic of magic, the foam / that opens up in dangerous seas, in places without wood and land.”
However, the poet immediately joins the lines:
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“Forlorn! It’s a very word like a bell / To you back from you to yourself to sing” … that’s the perfect example of a romantic passion fused with the classic retina. In all of his adult Ode, ‘Ode to Nightingale’, ‘Ode to Urc Grecian’, ‘Ode to Melancholy’ and ‘Ode to Psychy’, it is said that he was charged with discipline over his earlier poems. Take out the romantic richness, filled with the Hellenic clarity that characterizes Greek literature.
Poetic alienation and the subject of melancholy:
Although beauty and mutability are said to be recurring themes in Keats’s adult Odes, critics have stressed that he was somewhat “obsessed with a close attitude of joy and sorrow, enjoyment, and pain”. Some insisted that, in search of her beauty, she had become a fugitive, leaving aside the realities of life. In the poems of ‘Isabella’, ‘Lamia’, Santa Agnes Eve ’and others, her imagination plays with the romance of love, the elements of the Middle Ages, the cruel and mysterious young lady, the‘ child of mercy ’. and the witchcraft of the magical world. However, all this is his feeling of alienation as a creative way of thinking, which takes on a deeper tone and meaning in his later works, namely his Odes. During his journey as a poet, he tried to harmonize the “life of sensations with the life of thought” by today’s scholars. As he has seen in his sleep and in his poetry, in his reluctance to enjoy his first feelings, later pain is inevitably a strong longing that surrenders to the joy and beauty of life. life expectancy and despair. Therefore, the lines:
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“His hand of joy is never on his lips / Tender verb.” Keats knew that the joy and beauty of the earth is transient, and from that transience arose the melancholy so typical of his poems. Melancholy, he says, “is associated with beauty / the beauty that must kill.”
Acceptance of the stoic acceptance of life is achieved in addition to despair, through a deep spiritual experience. As his “Ode to the Greek Urko” indicates, “” This generation of old age will be among the ruins / others than ours …
These lines cannot come from the pen of a fugitive. For me, the mystery of the life he treats as a poet was deeply thought out, not as a political rebel or a philosopher. Scholastic research is still struggling to emerge new perspectives on his poetry. As a reader, I would be delighted to explore the romantic richness and richness of the images in his poems!
Some useful resources to help me write this article:
Muir, Kenneth (ed): John Keats: A Reassessment (Liverpool 1957)
Ridley, M.R .: Crafts by John Keats
G.M. Bowra: A romantic imagination
Middleton Murry: Studies in Keats
Dr. S. Sen: John Keats: Selected Poems, Hyperion and the Fall of Hyperion